08-14-2024, 01:41 PM
Dr. Ross wisely restricts himself to the study of beautiful prefab modular container homes and
meaningless forms. The moment representation is introduced forms have an
entirely new set of beautiful prefab modular container homes values. Thus a line which indicated the sudden bend
of a head in a certain direction would have far more than its mere value
as line in the composition because of the beautiful prefab modular container homes attraction which a marked
gesture has for the eye. In almost all paintings this disturbance of the
purely decorative beautiful prefab modular container homes values by reason of the representative effect takes
place, and the problem becomes too complex for geometrical beautiful prefab modular container homes proof.
This merely decorative unity is, moreover, of very different degrees of
intensity in different artists and in different periods. The necessity
for a closely woven geometrical texture in the beautiful prefab modular container homes composition is much
greater in heroic and monumental design than in genre pieces on a small
scale.
It seems also probable that our appreciation of unity in pictorial
beautiful prefab modular container homes design is of two kinds. We are so accustomed to consider only the unity
which results from the balance of a number of attractions presented to
the eye simultaneously in a framed picture that we forget the
possibility of other pictorial forms.
In certain Chinese beautiful prefab modular container homes the length is so great that we cannot take
in the whole picture at once, nor are we intended to do so. Sometimes a
landscape is painted upon a roll of silk so long that we can only look
at it in successive segments. As we unroll it at one end and roll it up
at the other we traverse wide stretches of country, tracing, perhaps,
all the vicissitudes of a river from its source to the sea, and yet,
when this is well done, we have received a very keen impression of
pictorial unity.
Such a successive unity is of course familiar to us in beautiful prefab modular container homes and
music, and it plays its part in the graphic arts. It depends upon the
forms being presented to us in such a sequence that each successive
element is felt to have a fundamental and harmonious beautiful prefab modular container homes relation with that
which preceded it. I suggest that in looking at drawings our sense of
pictorial unity is largely of this nature; we feel, if the drawing be a
good one, that each beautiful prefab modular container homes modulation of the line as our eye passes along it
gives order and variety to our sensations. Such a drawing may be almost
entirely lacking in the geometrical balance which we are accustomed to
demand in beautiful prefab modular container homes, and yet have, in a remarkable degree, unity.
Let us now see how the artist passes from the stage of merely gratifying
our demand for sensuous order and variety to that where he arouses our
emotions. I will call the various methods by which this is effected, the
emotional elements of design.
The first element is that of the rhythm of the line with which the forms
are delineated.
The drawn line is the record of a gesture, and that beautiful prefab modular container homes gesture is modified
by the artist’s feeling which is thus communicated to us directly.
The second element is beautiful prefab modular container homes mass. When an object is so represented that we
recognise it as having inertia we feel its power of resisting movement,
or communicating its own movement to other bodies, and our imaginative
reaction to such an image is governed by our experience of mass in
actual life.
The third element is beautiful prefab modular container homes space. The same sized square on two pieces of paper
can be made by very simple means to appear to represent either a cube
two or three inches high, or a cube of hundreds of feet, and our
reaction to it is proportionately changed.
The fourth element is that of light and beautiful prefab modular container homes shade. Our feelings towards the
same object become totally different according as we see it strongly
illuminated against a black background or dark against light.
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meaningless forms. The moment representation is introduced forms have an
entirely new set of beautiful prefab modular container homes values. Thus a line which indicated the sudden bend
of a head in a certain direction would have far more than its mere value
as line in the composition because of the beautiful prefab modular container homes attraction which a marked
gesture has for the eye. In almost all paintings this disturbance of the
purely decorative beautiful prefab modular container homes values by reason of the representative effect takes
place, and the problem becomes too complex for geometrical beautiful prefab modular container homes proof.
This merely decorative unity is, moreover, of very different degrees of
intensity in different artists and in different periods. The necessity
for a closely woven geometrical texture in the beautiful prefab modular container homes composition is much
greater in heroic and monumental design than in genre pieces on a small
scale.
It seems also probable that our appreciation of unity in pictorial
beautiful prefab modular container homes design is of two kinds. We are so accustomed to consider only the unity
which results from the balance of a number of attractions presented to
the eye simultaneously in a framed picture that we forget the
possibility of other pictorial forms.
In certain Chinese beautiful prefab modular container homes the length is so great that we cannot take
in the whole picture at once, nor are we intended to do so. Sometimes a
landscape is painted upon a roll of silk so long that we can only look
at it in successive segments. As we unroll it at one end and roll it up
at the other we traverse wide stretches of country, tracing, perhaps,
all the vicissitudes of a river from its source to the sea, and yet,
when this is well done, we have received a very keen impression of
pictorial unity.
Such a successive unity is of course familiar to us in beautiful prefab modular container homes and
music, and it plays its part in the graphic arts. It depends upon the
forms being presented to us in such a sequence that each successive
element is felt to have a fundamental and harmonious beautiful prefab modular container homes relation with that
which preceded it. I suggest that in looking at drawings our sense of
pictorial unity is largely of this nature; we feel, if the drawing be a
good one, that each beautiful prefab modular container homes modulation of the line as our eye passes along it
gives order and variety to our sensations. Such a drawing may be almost
entirely lacking in the geometrical balance which we are accustomed to
demand in beautiful prefab modular container homes, and yet have, in a remarkable degree, unity.
Let us now see how the artist passes from the stage of merely gratifying
our demand for sensuous order and variety to that where he arouses our
emotions. I will call the various methods by which this is effected, the
emotional elements of design.
The first element is that of the rhythm of the line with which the forms
are delineated.
The drawn line is the record of a gesture, and that beautiful prefab modular container homes gesture is modified
by the artist’s feeling which is thus communicated to us directly.
The second element is beautiful prefab modular container homes mass. When an object is so represented that we
recognise it as having inertia we feel its power of resisting movement,
or communicating its own movement to other bodies, and our imaginative
reaction to such an image is governed by our experience of mass in
actual life.
The third element is beautiful prefab modular container homes space. The same sized square on two pieces of paper
can be made by very simple means to appear to represent either a cube
two or three inches high, or a cube of hundreds of feet, and our
reaction to it is proportionately changed.
The fourth element is that of light and beautiful prefab modular container homes shade. Our feelings towards the
same object become totally different according as we see it strongly
illuminated against a black background or dark against light.
https://au.prefabium.com/#43 -prefab home most modular home australia
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https://blog.prefabium.com/#43 -modular homes
https://cabins.prefabium.com/#43 -prefabricated small homes
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